HIROSHIGE UTAGAWA I, Mattina dopo una nevicata, il fiume Sumida, Provincia di Musashi, 1853 sculture dove la stessa cura del

dove la stessa cura del dettaglio si traduce in raffinate gradazioni tonali

sagomato irregolarmente

landscapes

Montecarlo 1974

but is formally leaderless

HIROSHIGE UTAGAWA I, Mattina dopo una nevicata, il fiume Sumida, Provincia di Musashi, 1853 sculture dove la stessa cura delStunning proof with excellent colors, with the effect of mokumezuri (wood grain) visible at the top, characteristic of older proofs, and bokashi (color gradations). Plate no. 16 from the series Famous Views of Over Sixty Provinces (Rokujyosh meisho zue), printed on Japanese paper and dated to the second half of the 19th century. In perfect condition except for a crease on the lower margin of the sheet. With good margins all around beyond the marginal