Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. Epigraphie It is this shift that

It is this shift that I call The Abolition of Art (

Colors are not insignificant

Giovanni Cerri

historians

originally located on the left bank

Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. Epigraphie It is this shift thatFrom the late 1860s until her sudden death in the Bazar de la Charit fire in 1897, she led a singular career, a real challenge at the time for a woman of the upper middle class. Her pieces, of exceptional quality, even though they were amateurish, are marked by the taste of past centuries or tinged with a Japonism that was more modern than then. This catalog, published as part of the fourth Normandie Impressionniste festival, constitutes the first