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FREYSSINET
which proceeds from a work producing pieces in series
From the first animal representations
and the National Gallery of Art
peu après que se soit tenue à la Galerie Tannhauser l’Exposition du Blaue Reiter
Toulouse Lautrec. Antique FREYSSINETThe other dimension of the work that should be linked to his apprenticeship is the desire to represent time, and soon to unfold its duration rather than freeze its movement. Whether it was Princeteau, his master in horse painting, Cormon, an energetic painter par excellence, or Degas, who pushed him to track down dynamics beyond dance, Lautrec never stopped reformulating the space time of the image. The artist managed to reconcile the subjective
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