De Bellini à Titien: Texture, forme, couleur dans l'art vénitien. Amérique du nord Eve Arnold

Eve Arnold

Along with the Russians Wassily Kandinsky and Kazimir Malevich

du XVIe au XVIIIe siècle

tavern keepers

deux biais qui ont souvent marqué les travaux historiographiques

De Bellini à Titien: Texture, forme, couleur dans l'art vénitien. Amérique du nord Eve ArnoldFrom Rubens to Velzquez, from Poussin to Delacroix (through Veronese), European genius drew its substance from 16th century Venetian art. A certain relationship to the object and therefore to the concept was undone in these decisive years when it was the notion of figure that oscillated: in Giorgione, in Titian, the progressive blurring of contours canceled the opposition of form and content and created a surface without hierarchy, isotropic. The