La part de l'ombre. Sculptures du sud-ouest du Congo. Epigraphie Religion but also as an image

but also as an image medium

elle offre une alternance constante de scènes à l’humour débridé et de moments plus « sérieux où se dévoilent sous le masque comique des enjeux sociaux et psychologiques particulièrement fins

incorporated

Pour ce faire

Who isn't interested in human origins

La part de l'ombre. Sculptures du sud-ouest du Congo. Epigraphie Religion but also as an imageRich in abundant scientific material, the catalog highlights an immense artistic and cultural territory. It reveals the creativity of the artists as much as the intensity of material and immaterial circulation in the region throughout the 19th and 20th centuries. In addition to the plastic properties of mbala, teke or yanzi statues, tshokwe, yaka or kwese masks, pende or hungaan pendants, there is the plurality of functions, which speaks of the