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and the grace of God was on him
Table from the art magazine Derrière le miroir
Rythmes et couleurs
complete with the engraved part
Exhibited in the main avant-garde Salons
KŌRIN FURUYA, Kōrin-style Patterns n. 66, 1897 sculture and the grace of GodStunning proof with excellent colors, in the first edition. Printed on paper from Japan during the Meiji era (18681912). In exceptional condition, with untrimmed margins all around. Bibliography J. T. Carpenter, Designing Nature: The Rinpa Aesthetic in Japanese Art, The Metropolitan Museum of Art, 2012, p. 111 J. Hillier, The Art of the Japanese Book, London: Sothebys, 1987 A. Jackson (ed.), Kimono: The Art and Evolution of Japanese Fashion, London:
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